Jazzanine

Chaka Khan is back. Not that she ever left. Like many of the artists that I grew up on, she had her youthful heyday with a seminal band, Rufus, and hit another level of greatness as a mature woman and solo artist. But as time marched on and the music industry changed in the '90s, producers and songwriters seemed not to know what to do with her. And I'm sure that Chaka didn't know what to do with herself for long stretches, musically, when she gave a lot of concerts and seemed ready to turn into a bad parody of herself. Now she's on a creative roll, and it's all about her glorious instrument, her voice. In late 2005 she released ClassiKhan , a collection of her favorite pop tunes recorded with the London Symphony Orchestra. That album has not been much discussed in the press, but it's a personal favorite of mine. Chaka poured her heart into reinterpretations of two Shirley Bassey hits, "Diamonds Are Forever" and "Goldfinger," as well as Peggy ...